Playing With Boats

I ended the last post by introducing Charles P. Kunhardt (1848? 1849? – 1889), another of the titans of late 19th century American yachting. In a short life of 40 or 41 years, he produced a tremendous body of work, and one can only wonder at what might have been accomplished had he not perished in a shipwreck long before his time. He was born only a few years before W.P. Stephens, his fellow traveller in the world of yachting and boating.

Kunhardt was the Yachting editor of Forest & Stream from 1878 to 1884. W.P. Stephens had become the journal’s Canoeing editor in 1883, and added Yachting to his portfolio after Kunhardt’s departure. I’ve thought quite a bit about an analogous early 21st century publication that I could cite to give an idea of the influence and importance of Forest & Stream to the late 19th century sporting world, but I’ve come up short. Sports Illustrated doesn’t even come close. In its densely-packed pages, set in eye-strainingly small type, this weekly journal (and its English equivalent, The Field, covered the whole of the sporting world, from the turf, to shooting sports, to canoeing, yachting and later bicyling. It was quite simply the publication of record, and it afforded Kunhardt the perfect pulpit from which to preach.

And preach he did, for he was a yachtsman and designer of decidly strong opinions, and a polemicist of fierce and deadly skill. A proponent of wholesome and seaworthy yachts, he advocated English-style cutters over the then popular wide, shallow American centerboarders. So fiercely did he argue the virtues of the cutter type that he became the unofficial leader of the whole faction, dubbed the “Cutter Cranks” by fans of other types. A number of his letters to W.P. Stephens survive in the W.P. Stephens collection in the archives of Mystic Seaport, many written in a purplish-colored pencil. Reading them, one can imagine him writing furiously, the words pouring out onto the page, as he argued a point of design doctrine or demolished a foolish opponent or poorly-designed yacht.

In addition to vast numbers of articles and editorials, Kunhardt was a prolific designer of yachts and small boats, and a draftsman of remarkable skill. Let’s take a moment of silence and admire his work on the inboard profile of the cutter yacht Yolande.

This is beautiful drafting work, executed on glazed linen sheets with a ruling pen that had to be charged anew with ink for each line that was drawn. Work like this represents hundreds of hours of patient effort, with the whole project hanging in the balance, always on the verge of being spoilt by a single blot. There is life in this drawing, and it’s not hard at all to picture oneself snug below or preparing a hot drink in the galley, located in the 19th century fashion up in the eyes of the boat and not aft at the foot of the companionway. Yolande‘s deck plan is just as nicely delineated.

Note how fastidiously the shadowing under the deck furniture is drawn, and the care taken to show the button tufting in the settee cushions, and the harlequin pattern of the linoleum on the sole of the saloon. These drawings, and much much more of Kunhardt’s impeccable drafting and pungent prose, can be enjoyed in his book Small Yachts: Their Design and Construction Exemplified by the Ruling Types of Modern Practice.

If your pocketbook will stand it, find and buy an original copy of this remarkable book, and leave it open on the reading stand in your library to a different yacht each week. You may want to consider a loan, though, as such quality doesn’t come cheap. In 1997, a first edition sold for more than $1000 at auction in the UK. If that’s a little too rich for your blood, by all means enjoy WoodenBoat magazine’s edited and abridged paperback edition from 1985. In either case, reading Kunhardt is a bracing way to immerse yourself in the fascinating world of late 19th century yachting and pick up some of the flavor of the times.