In this shot, the covering boards have been varnished on the underside and permanently screwed to the boat. Where they cover the watertight compartment of each end, they’ve also been bedded in sealant. I’ve also taken the outer stem off, buttered it with bedding compound, re-attached it using all of the screws and epoxied a tapered wooden plug ineach screw hole which will be trimmed flush later.
The inwales receive a coat of bedding compound on their backs before being screwed in place for good.
With all of the decking and outwales permanently fastened, it’s time to start building up the finish. The first coatis usually thinned at least 50% to penetrate deeply and raise the grain.
Even a thinned coat begins to bring out the nice warm look of the cherry.
The next step is the cockpit coamings. Because of the way Harry has designed the ends, they don’t have to fit together closely, but it still takes a couple of tries of clamping them in place dry to get the fit right.
It’s a good idea to use clamping pads on the inside of the coaming to avoid marking it with the c-clamps. It’s also a good idea to not press too hard on the portion of the coaming that extends above the deck, or you might split it and have to get out another one in a hurry (this last sentence was written by the voice of experience!).
With both sides trimmed and clamped in place, the coaming can be fastened. You’ll need to measure carefully from the bottom up to make sure the screws hit the carlin and not the deck.
At each end of the coaming, a triangular block of cherry fastens the two ends together.
The block is fastened in place from the outside with four screws through the coaming.
After the block is fastened, the top and bottom are faired into the coaming.
Now is a good time to stand back and look at the coaming. For this boat, I decided that it was a little too high in the middle, so I got out the plane and gave it some more sheer. Do this carefully, and don’t forget to sight from each end as well as each side as you’re working.
The coamings in place.
The designer has come up with an ingenious solution for finishing the coamings which avoids what can be a tricky raking beveled cut. It begins by sawing off the rough ends of the coaming and the triangular block.
This leaves a blunt surface at each end.
This is finished with another triangular block that sits on the deck cap.
This little block ties everything together nicely.
This is attached with a little thickened epoxy.
And left to dry overnight.
Then it’s back to sanding, fairing the coaming and blocks together into a pleasing whole with smooth transitions between the different pieces.
And then it’s back to varnishing, building up a good solid surface.
Because I was in a bit of a hurry, I used a quick-drying acrylic enamel on the exterior hull and the interior bottom.
The last step was to make some nice cherry floorboards that go in in two sections. And here we are, a finished Fiddlehead.
John she is a beauty. Super job.——-Ed
Merci pour ce très bon reportage d’images !
Je suis Français et vos commentaires un fois traduit me seront très utile pour la construction de mon 12′ Fiddlehead.
Sincères Salutations
Yves
How well does she track without a keel and that flat bottom? Nice work!
I would imagine that she tracks about as well as most 12′ boats. I don’t know yet as I’ve unfortunately not had a chance to paddle one–the boat pictured in the blog was built to be raffled off by a museum and I of course haven’t had a chance yet to build one for myself!
Thank you for documenting the Fiddlehead build. I have an Old Town rig, (50 – some sq. ft., I think) in need of a hull. The 14 footer would be nice to sail two at times. I love the traditional build, but am considering epoxy and plywood also.
Great job on yours.